Here's the concluding half of my annual Fall Movie Preview. Part one was yesterday.
LOVE AND OTHER DRUGS –Anne Hathaway and Jake Gyllenhaal. Jake plays a Viagra salesman. If the movie lasts longer than four hours consult your physician.
RED – Adapted from a graphic novel. League of Justice with AARP members. Helen Mirren as an action hero? This I gotta see. Boxoffice prospects dim since every paying customer is getting the senior discount.
SECRETARIAT – Triple Crown thoroughbred of the 70s. Stars Diane Lane. She played against Richard Gere, she can easily play against a horse.
JACKASS 3D – It's like they're throwing the darts in your face! The best movie ever!!
THE KING’S SPEECH – If the buzz is right Colin Firth will win Best Actor this Oscar season. He’s even better in this than his second sex tape.
NOWHERE BOY – Story of John Lennon in the 50s. He deals with his dysfunctional mother. It might explain Yoko Ono.
MORNING GLORY – Diane Keaton and Harrison Ford as morning news anchors who hate each other. This tired premise has been around since Keaton and Ford were ingénues – so at least a hundred years. The 8 PM showing will have five people in the theater. The 11 AM showing will be packed.
MEGAMIND – Superhero animated movie with the voices of Will Ferrell and Tina Fey. Megamind looks like a blue Bruce Willis with a swelled head (which was his head until HUDSON HAWK).
TRON: LEGACY -- the second sequel to TRON. The first was the Aha music video.
DUE DATE – Zach Galifianakis and Robert Downey Jr. in a buddy road trip comedy. Before you gag, just know it was directed by Todd Phillips (THE HANGOVER). Then gag.
HEREAFTER – Chick flick directed by Clint Eastwood. Matt Damon is a psychic who can communicate with the dead. You can see why women would be attracted to this subject matter.
TANGLED – Disney 3D CG-animated version of Rapunzel. Can’t be better than the Fractured Fairy Tales version on the Bullwinkle Show.
THE NEXT THREE DAYS – Russell Crowe plans a prison escape for his wife, played by Elizabeth Banks. Isn’t it always the way? Hubby just wants to kick back and watch the game but no, wifey has a to-do list.
NEVER LET GO – Carey Mulligan and Keira Knightley. A sci-fi human drama. I don’t know what will scare off the Comic-con crowd more – human drama or two pretty girls.
FASTER – The Rock has decided to relinquish his title of King of Screen Comedies to return to the action genre. This leaves a huge void. Even fake vomit doesn't seem so funny anymore.
FAIR GAME – Naomi Watts as a CIA agent blows the whistle on Bush’s “weapons of mass destruction” lie. I know it’s taking creative license but to me the satisfying ending of this movie would be Bush getting impeached.
UNSTOPPABLE – Denzel Washington as a crazed villain who rigs a runaway train with toxic chemicals and points it at a big city. Yawn. 24 only did this eight times.
HOW DO YOU KNOW – James L. Brooks’ romantic comedy starring Reese Witherspoon, Paul Rudd, and Jack Nicholson. Two people have a blind date on the worst day of their lives. When he’s on his game no one is better than Brooks. Please let this be another BROADCAST NEWS and not SPANGLISH.
TRUE GRIT – On first glance, just a remake of the John Wayne film. But the Coen Brothers are doing it. Stars Jeff Bridges. The Dude becomes the Duke.
THE TEMPEST – Helen Mirren stars in this classic Shakespeare play. William Shakespeare gets sole screenplay credit. The Bard doesn’t have to share it with Babaloo Mandell.
LITTLE FOCKERS – Second sequel to MEET THE PARENTS. If the trailer is any indication, this could be the worst movie of the year. Maybe ten.
SOMEWHERE – Sofia Coppola returns to the only thing she can do well, a LOST IN TRANSLATION clone. Original title was TRANSLATION AND MISDEMEANORS.
COUNTRY STRONG – Gwyneth Paltrow takes time out from instructing people on how to give enemas to play a washed-up country singer. Hey, it worked for Jeff Bridges.
CONVICTION – Hilary Swank in the true-life story of Betty Ann Walters. What more do you need to know?
BLACK SWAN – A psychological thriller set in the rough world of the ballet.
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